"What is this?" Heard someone ask, are busy on-site production of cashmere rise Luo replied, "This is a Tibetan wooden bowls, Tibetan people is an essential household items." June 8, the reporter walked into the international Ganzi Intangible Cultural Heritage Exposition Hall, just to see this scene.
In the non-heritage festival, the Tibetan non-material cultural heritage shine, attracting the attention of many tourists. "Intangible Cultural Heritage Festival is to show the results of Tibetan non-material cultural heritage protection as a platform." Ganzi, chief of the Cultural Affairs Bureau of Cultural Heritage, said Li Dou, how to protect these precious Tibetan cultural heritage, they have been exploring.
Scene -
Heritage Festival is a tradition of non-window
In Aba Outside, a giant Thangka attracted tourists who repeatedly praise. This "modern woman Guanyin" high 21 meters, 15 meters wide and weighs about 500 pounds. It is said that by working together more than 20 young men, only to hang up the high-profile non-heritage Exposition.
Thangka painting is a creative person Aba Tibetan national intangible cultural heritage inheritors of knitting and cross-stitch embroidery Yang Huazhen. She introduced modern woman is a Tibetan Buddha portrait painting portraits of the most complex and sophisticated one, to tie with traditional embroidery techniques and embroidered Duixiu is an innovation. To this end, more than 60 senior embroidery took 5 months to complete. As many as 20 kinds of colors, just the cloth on the use of more than 800 meters, lines with more than 10 pounds. It is reported that the giant thangka painting has been exhibited around the world received the invitation.
Exploration -
"Two legs" in the tradition way
In Ganzi the museum, led the big screen scroll Batang harp playing, Tak Wing Keung and other Tibetan folk song and dance school. Ganzi Danba County Cultural Center Curator, West told reporters, "in Danba, all Jiarong old song and dance artists are not more than 5." So, he and his colleagues in the rural mountains long running dance data collection Jiarong , the general back and forth takes 3 days.
He was pleased most to West is beautiful Valley Art Troupe was established more than 20 performers are all young people, through them, more people and even tourists have also learned the original song and dance Jiarong ecology.
In Yang Huazhen view, protection of Tibetan cultural heritage, not only heritage, but also to go the road of industrialization, the protection of production.
Yang Huazhen 2009 in Chengdu Wenshufang run from the "Tibetan and Qiang Embroidery Garden", the scattered villages in the county of Aba Tibetan Qiang embroidery embroidery industry aggregate made up. Embroidered in Chengdu, the samples were first, and then back in Wenchuan County, Li County, Mao County and other land to the local women to embroider. More than two years, received the order of several million dollars.
Today, the Ganzi and Aba to establish audio and video files, paper files, electronic files, photos, files, and file data, while a system of "folk culture, ecological protection zone", to better protect the Tibetan non-material cultural heritage.
[Reporter's notes]
Good-scale production of protection should
Production of non-material cultural heritage protection, not only help to stimulate the vitality of non-heritage, making it sustainable development, but also help create economic value and social benefits. However, the production of non-heritage protection in the inevitable, but also there is a lot of worries.
In some experts, not all non-heritage can be "production", the production of non-heritage protection has created economic benefits, but it may cause over-development and commercialization of random, so that they lose their original cultural heritage, ecological things loss of traditional spiritual content.
Therefore, to explore the production of non-heritage protection of the road, to advocate for non-genetic characteristics distinguish the type of project, implementation of production sub-conditions protection. Implementation of the production of protection can not be simply understood as the production and industrialization. Especially for Shu embroidery, shadow play, protection and development of products such as pictures, can not blindly pursue the production rate, the number of products and economic benefits, blindly use of mechanized production, enabling them to become industrial products, and then discard these traditional products, the value of the most valuable hand.
At the press view of non-heritage items protected productive way to grasp the scale, looking for non-heritage project development and protection of its cultural meaning and characteristics of the internal balance between. Innovative thinking and carefully build the creative production of traditional handicraft products, mechanisms, manufacturing operations in the healthy state, the introduction of iconic products, non-genetic inheritance is the lifeblood. Source: Sichuan Daily
